Bike Racks Become Works of Art

Art is a topic that’s never out of the information and the many tales from the art world are forever surprising us. The town of Columbia is to feature works of art which should be applied as bike racks for the residents of the region. The most recent project is aimed at bringing more art into town and letting the public a chance to determine what the local gift has to offer you a replacement.

The art pieces doubling as bike racks will give its citizens an opportunity to see and use the art as part of their daily routine. It is not every day that you get to see such great works of art, never mind having the ability to utilize them as a sensible means of storing your bicycle. The bicycle racks must be created by a program named BikePARC Columbia who are a team who intends to produce fantastic works of art and exhibit them in and about the city for the occupants to use.

Whether you cycle or not the bike racks will still be a piece of artwork for those who reside in the city to marvel at. The idea is already applied in other cities in America. Nashville feature bike racks in the form of corn and tomatoes while there is also a mike bike rack that attributes to the towns musical history. The new and exciting bike racks may help to encourage more celebrated of the city’s residents to take up cycling as a traveling.

As most of us understand travel is highly encouraged as a kind of traveling to help avoid global warming, this artistic idea may help to contribute towards more using bicycles as a type of travel. It’s all well and great biking everywhere but if there is nowhere to park your bicycle, what can you do? The bikes are not just to invite citizens to bicycle but also bring more artwork into town. Columbia hopes that the artwork will give rise to a more arty area and one which may pull in more visitors call for arts.

This idea may catch on to other towns who could produce fresh and exciting ideas that could encourage people to cycle more, causing a greener, more environmentally friendly world.

St Croix Art & Culture Opportunities

Support of the arts and ethnic heritage is a significant factor in every thriving community. That belief is equally as powerful here in Paradise as anywhere else. Crucian cultural and artistic and musical expressions are somewhat diverse and advanced, as are illustrations of a proud legacy. We support local artists and craftspeople by accepting culture walks, showing curiosity about seeing “artist in residence” programs, listening to “scratch” music at authentic pig roasts from the rainforest, and attending concerts in the park at sunset. There are numerous ways to feed your passions for visual art, design, crafts or music on St.

Croix, having something to please nearly every artistic palate. Living here provides a wealth of opportunities to be an active player in maintaining the exceptional artwork, music, and history of this island. Continue reading for more information on some activities which could help you learn about St Croix and how it became what it is today. The Whim Plantation Museum is an 18th-century Danish sugar estate situated on the western side of this island (stcroixlandmarks.com/index.cfm?

MenuItemID=105&MenuSubID=102&MenuGroup=home) at Frederiksted. Explore the ruins of the sugar factory, take a tour of the wonderful home or visit the museum shop for a large selection of memorabilia, furniture, and prints available. Have a look at the Caribbean Museum Center for the Arts (CMCArts, cmcarts.org), which supports and exhibits cultural artwork by Caribbean artists. A historic building on the Frederiksted waterfront houses the museum’s display space, working art and pottery studios, gift shop and administrative offices.

CMCArts supports and exhibits cultural artwork by Caribbean artists in the community. The venue is undergoing some renovations, but the building is still open to the public, with beautiful visual artwork on display in the galleries. A must-have in the museum is the “Art and Soul Calendar,” an annual offering since 1974. These wonderful tropically-themed collections of hand-painted prints are all available for sale. The Cruzan Rum Distillery offers guided tours of the 300-year old mill to observe how rum is made. Complimentary rum drinks are served at the close of the tour.

(travelvi.com/stcroixUSVI/stcroixUSVI_cruzanRumDistillery.shtml) Art Thursdays at Christiansted gives residents and tourists the chance to visit art galleries, restaurants, and retail shops until 9:00 p.m. on the first Thursday of this month. Admission to the museum, which is situated on the fort’s grounds and features changing exhibits, is at no cost. (planetware.com/frederiksted/fort-Frederik-uvi-sc-ff.htm) I felt it best to quote the St. George Village Botanical Garden site (http://www.sgvbg.org/) to get a description-they said it best: “St. George provides island visitors and residents a unique blend of St. Croix’s botanical, historical and cultural heritage.” There are over 1500 varieties and species from the botanical collection on 16 acres.

Educational programs are offered for kids of all ages. There are self-guided tours, with discounts for classes and tour participants. Virgin Islanders even get a specially reduced admission speed on Sundays. Do not overlook the Gardens by Moonlight app in October or the Christmas Gala in the Garden. The Lawaetz Family Museum is an 18th-century estate house with garden and farm in Frederiksted. It is still owned by the family of the farmer who had it built. Family members still live on the property now, and it is an amazing and enchanting location! “Jump Up” is a great street festival which happens four times annually in the streets of downtown Christiansted look at this now.

The majority of the stores stay open late and vendors line the streets with food, drinks and specialty items on sale. Social associations will also be on hand with advice on their assignments and on what visitors and residents are able to do to help. Music, Moko Jumbies, local food and beverages, face painting for the kids and more make this an enjoyable night for all.

Five New Art Activities Appropriate for Seniors With Alzheimer’s and Dementia

Studies indicate that seniors with Alzheimer’s have trouble with attention and concentration, but experts state that art therapy has offered an extraordinary socket for them. One compelling reason to incorporate daily art jobs in scheduled actions for Memory Care residents is that while Alzheimer’s and Dementia damage the portions of the brain that have to do with memory and planning complex tasks, the component of the brain that’s involved in emotion and aesthetic recognition stays intact for more. Art is a great activity that continues to tap into imagination. Even when Seniors with Alzheimer’s or Dementia expertise loss of memory and the capability to communicate in different ways, the capability of creativity still has its place and is a great way for them to express themselves and their individuality.

1. College- Have residents either cut or tear words and pictures from magazines and papers or use left-handed scrapbook paper to make a free-form college. Mount Finished College to a larger piece of Black Cardstock for a completed piece. Another collage project is to have occupants fill in an easy outlined or photocopied picture to create an exceptional piece of artwork and mount in an identical manner.

2. Watercolor- Residents can either produce their own watercolor design or be directed through a pre-sketched job. Other applications for watercolor include wax resist using regular crayons or by incorporating texture using Gesso and tissue paper prior to painting using watercolor.

3. Simple Mosaics- Residents can produce simple layouts on boxes, pots or eyeglasses with glass beads, shells or other organic materials. These simple base objects can be painted with acrylic paints and residents can make simple designs and paste on items with Tacky glue.

4. Papier Mache’ Egg Shakers- Using Modge Podge and tissue paper, create hand-held rhythm shakers by filling plastic Easter eggs with rice or beans. Glue eggs together and ensure egg with a thin coating of Modge Podge. Either cut strips of tissue paper or tear tissue paper into small pieces and cover the egg with 2-3 layers of tissue paper and Modge Podge. When tissue dries employ one last coat of Modge Podge to seal. 5. Paper Napkin Greeting Cards- Using only a single layer of a printed napkin, cling wrap and cardstock- residents can create special greeting cards.

Simply divide the 3 layers of the printed napkin and choose which design you want to apply to the front of the card. Cut a sheet of cling wrap marginally larger than your napkin and cardstock and sandwich cling wrap between both layers. Cover the layered card with a different piece of cardstock or copy paper and Iron for about one minute with an iron put on a moderate heat. Decorate with stamped sentiments, ribbon, buttons or leftover scrapbook embellishments for a special card that residents could share with friends and family.

This is a wonderful job for Christmas, Valentine’s Day, Birthday cards and Thank you cards. All of these jobs can be finished between 45 minutes and one hour in a single sitting. Some projects may require help or prior preparation by the instructor or group leader, but patients with Moderate to Severe Alzheimer’s can complete most tasks independently with great results. I hope you can try these actions with your residents or loved ones soon look here!

The Mad Potter of Biloxi Rises Again: The Ohr-O’Keefe Museum of Art

While walking through the galleries of the Ohr-O’Keefe Museum of Art, I wondered exactly what the Mad Potter of Biloxi would think of the Frank Ghery tradition designed in his honor. Taking under consideration the potter’s designs (in the time of their invention regarded as, for lack of a better job, radical) I can’t help but think he would love the odd shapes and angular lines of those buildings. Georg Ohr, to say the least, was an artist and potter ahead of the time. Born in Biloxi in 1857 Ohr Started to learn his art in 1879 as an apprentice to Joseph Fortune Meyer in New Orleans. After studying what he can, he traveled the United States to lean even more.

“I pulled out of New Orleans and took a zigzag excursion for a couple of years and got as far as Dubuque…,” Ohr stated. He settled back in Biloxi in 1883, opening his initial potter studio and became a staple at the Biloxi community. Although he made his living by making pragmatic ware for the people of Biloxi, his heart and his passion lay in the off-beat layouts that revealed his inner-self. His many notable pieces were made between 1895 and 1903, following the destruction of his first studio at a fire that ravaged Biloxi. In this time “the hallmark of the art pottery was the combination of vibrant glaze colors with identifying forms that frequently exaggerated the traditional styles of the day.” His works were more often praised for their colors in relation to their design.

His critics bemoaned the art pottery as being “deliberately distorted” and demonstrating that a lack “of great proportion, of elegance, and of dignity.” Due to the criticism and too little recognition, Ohr closed his studio in 1910. But with a feeling of foreshadowing, he is quoted as saying “. . . .my work will be prized, valued and honored. It will come.” George Ohr’s time has come, as may be found in the Ohr-O’Keefe Museum of Art. Far from a typical museum, the Ohr-O’Keefe is a campus of galleries, every building encapsulating the spirit of George Ohr. The first stage of the museum opened in 2010 and consists of four structures. The Mississippi Sound Welcome Center, where tickets can be purchased, houses a small gallery, a gift shop and a cafe.

There’s also an observation area on top of the building that provides visitors a spectacular view of this Biloxi. The IP Casino Resort Spa Exhibitions Gallery displays artwork stemming in the 20th and 21st centuries, and the Pleasant Reed Interpretive Center, which is the rebuilt house of a freed African-American along with his household (the first house was destroyed in 2005 by Hurricane Katrina). The center depicts life as it had been for a typical African-American household in the late 19th century, as well as racial relationships at the time. As it stands today, the museum provides a serenity that surrounds the campus.

With magnificent views of the Coast, Gehry’s design of a succession of buildings allows visitors breathing room as they venture from one exhibit to another. A lot of the art is probably more appreciated by older children and adults, but younger children could be thrilled by a number of the displays, such as “Earth, Sea, Sky” that has numerous clay fish and pieces of work with animal depictions. Phase II of this campus, set to be completed in 2012, will see that the opening of the City of Biloxi Center for Ceramics and also the George Ohr Gallery weblink.

The former will offer pottery studios and community meeting area. The latter will be the heart of the museum as it will be the permanent home of Ohr’s design art. One hundred years after Ohr closed the doors to his studio his prophetic words came to fruition. And now, through the Ohr-O’Keefe Museum of Art inhabitants and visitors to the Coast can appreciate the genius of this Mad Potter of Biloxi. In addition to articles regarding the Coast, [http://www.ZoominMom.com] has information and reviews for playgrounds, activities, restaurants, child care, and a family events calendar.

The Nature Of Art

What’s art? Do we have some conclusive ideas or just accept what’s introduced as like an ad-hoc basis? Can it be all a designated artist determines it’s, holding that the essence of artwork resides in the selection and ensuring focus on a single thing or a number of objects? A black square becomes artwork if chosen for that purpose: an unmade bed: a shed. Art, therefore, concerns significance, what each chosen object says concerning onlookers or the world. It’s a reference.

I suggest that the above consideration of what is and is not art is the effect of every day becoming inundated by art. A TV is made, for instance, for aesthetic and practical reasons: a magazine contains photographs that express all accessible artistic standard: a table and chairs is expressive of sculptural worth: a self-designed home interior includes greater aesthetic attributes than an unmade bed setup self-consciously as art, constructed for standing and wealth: a novel cover, a poster, a booklet, a movie preview are fully expressive of artistic worth.

These are always anonymous, functional and ubiquitous. Faced with such a deluge of routine art, the professional artist chooses to select to emphasize their artistic credentials. So therefore whatever they want is artwork, removing it from the more extensive, more profound art of the world around us.

The artist is consequently an interpreter of limited significance, just isolating and emphasizing that which we produce, bringing scarce originality into the table.

They offer mainly not only what others can do, but in doing this make our own lives more relevant. Look around you when next your journey to work or go shopping. Notice the way the bus is designed, what it says about the planet, a toy or piece of packaging, billboards with their carefully chosen colors and shapes, the gorgeous shapes of a vehicle, a pot, a skillet. Yes, the recognized artwork is reflected in all these objects but takes on new life.

If a self-proclaimed artist eliminated a kettle from its natural surroundings and placed it in a gallery, rightly it would attain artistic credibility and its original decorative properties would be highlighted. The reliability of the object thereby outweighs the authenticity of the artist. High art no longer has sufficient rationale in the surface of emblematic regular artistic expression. The large blue Cockerell on a plinth at Tralfagar Square, London, has higher aesthetic significance than the surrounding statues of dead diplomats in the presence of Roman senators, providing onlookers with both delight and joy click here.